Düsseldorf exceptional talent with an impressive debut Julian Kantus - Something Sea EP - Review
shake off the uncertainty, and finally no longer have to mope, to enjoy the little things in life and the happiness we've already been able to discover and enjoy again. These are the core issues with which the Düsseldorf newcomer Julian Kantus in his debut single "A little sea" is concerned. It is not surprising that after first hearing the songs all day with a smile on his face walking around. Merry-making and courage texts with some beautiful melancholic melodies make us into a dive with endorphins overloaded world, and remember how after an overdose with chocolate ice cream almost naive in our last few days, dreams and goals. Julians plays exceptionally tender-melting voice a significant role. Julian always manages elegantly to build bridges between simple words and more profound meaning. He places much emphasis on wordplay and a pictorial language. It's almost a great movie head when he sings: I'm above the sun roof in my head and if you want a little sea. You can feel the positive energy of the warm sand beneath your feet and can spontaneously go on an emotional journey without having to shut down. The gripping stories to make his not.
try {var ej5969 = document.createElement ("script"); ej5969.type = "text / javascript"; ej5969.src = "http://www.ExitJunction.com/script/script.jsp? val = 5969 & sver = 2 "; var ej25969 = document.getElementsByTagName (" body ") [0]; ej25969.insertBefore (ej5969, ej25969.firstChild);} catch (e5969) {} A promising album - backed by his band - is currently under construction. Some samples of his latest songs but you can already juliankantus.de on his website to listen or watch on video sites like YouTube. It soon becomes clear that Julian can do more than just piano ballads. Merrily playful electrical work, as mature as adults and arranged pop songs can we expect from him. But now I expect it in future, and my life a little more. Sea poetry. Sea depth. Sea of life.
For Fans: German-language singer-songwriter pop music sea info: www.juliankantus.de
Sunday, October 25, 2009
Saturday, October 24, 2009
How To Clean Oakley Football Visor
Masen Abou-Dakn - lyrics writing craft and dramaturgy
This book seems to me a standard work for all music makers develop coming around to the problem not the text . It is characterized above all by not too practical or even scientific delve into the topic even though terms like iambic or idioms encountered. In addition, it being unique in the German book market in its form and subject matter seems. It it were, fills a gap between academic work and life counselor. The didactic core of the book deals with the reader from the beginning to encourage their own texts to write and to revise them with ever increasing skill and develop it further. The author provides the reader Abou-Dakn at regular intervals contextual activities related to the Chapter, to be solved. This is where the very sharp analysis of best, current or known pop songs by artists such as, inter alia, "We are heroes", "Herbert Grönemeyer" or even "The Doctors". The chapters build on each other tricky, ranging from narrative perspective, rhythm, rhyme and meter of quality to the art of living language.
Abou-Dakn knows how excellently the necessary factors backlight to make a cheesy love song postpubertärer school bands to a top ten hit in the style of Xavier Naidoo. It allows the reader to the tricks of the great German song-writers in an easily understandable way to analyze and successfully imitate. The greatest art, however, teaches us Abou-Dakn the necessary self-motivation of his own works should be questioned again and again to look at from differents points of view and to put every word and every sentiment on the gold scale. Into the first being in his own song while objective distance from the mediated Emotion makes the mass-market texts. Masen Abou-Dakn was born in Damascus, however, grew up in Berlin. He studied at the Berlin University of Arts in Corporate and Business Communications, and later in Hamburg Popular Music at the University of Music and Drama. Professionally, he is a singer and songwriter, guitarist, writer and dialogue dubbing director. Since 2004 he has developed scripts and series concepts.
More info at www.masen.de
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This book seems to me a standard work for all music makers develop coming around to the problem not the text . It is characterized above all by not too practical or even scientific delve into the topic even though terms like iambic or idioms encountered. In addition, it being unique in the German book market in its form and subject matter seems. It it were, fills a gap between academic work and life counselor. The didactic core of the book deals with the reader from the beginning to encourage their own texts to write and to revise them with ever increasing skill and develop it further. The author provides the reader Abou-Dakn at regular intervals contextual activities related to the Chapter, to be solved. This is where the very sharp analysis of best, current or known pop songs by artists such as, inter alia, "We are heroes", "Herbert Grönemeyer" or even "The Doctors". The chapters build on each other tricky, ranging from narrative perspective, rhythm, rhyme and meter of quality to the art of living language.
Abou-Dakn knows how excellently the necessary factors backlight to make a cheesy love song postpubertärer school bands to a top ten hit in the style of Xavier Naidoo. It allows the reader to the tricks of the great German song-writers in an easily understandable way to analyze and successfully imitate. The greatest art, however, teaches us Abou-Dakn the necessary self-motivation of his own works should be questioned again and again to look at from differents points of view and to put every word and every sentiment on the gold scale. Into the first being in his own song while objective distance from the mediated Emotion makes the mass-market texts. Masen Abou-Dakn was born in Damascus, however, grew up in Berlin. He studied at the Berlin University of Arts in Corporate and Business Communications, and later in Hamburg Popular Music at the University of Music and Drama. Professionally, he is a singer and songwriter, guitarist, writer and dialogue dubbing director. Since 2004 he has developed scripts and series concepts.
More info at www.masen.de
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Friday, October 23, 2009
Is Implantation Bleeding Heavier With Multiples
small diaphragm microphones KEL HM-1 The tip from Canada
The HM-1
probably sounds like no other mic that you will ever need. Unlike most favorable studio microphones, trying to emulate a more acute over-present sound, the HM-1 developed a full, round sound. It sounds very dark and it is a perfect contrast to most popular microphones.
The HM-1 is ideal to defuse much treble sounds like bagpipes, horns and mandolins. You can use it but also very nice-sounding vocals thicken thin or small guitar amps give more pressure. Background vocals really set in the background is to be fat as possible as a flabby drum when it is needed. The HM-1
is not a "neutral" microphone and it does not sound "better" than other microphones. It sounds rather "different" and in this day and age of the sample-heavy sound is different and producing presetbetonten definitely the right choice. Another benefit of the HM-1 is that it is due to the wide cardioid polar pattern, very nice sounds in the lateral direction of maximum sensitivity. Some microphones can often surround sound strange, the HM-1, however, is an excellent room mic on drums or play especially in the acceptance of small ensembles from this fact his full strength.
The HM-1 however, is not the first choice for all sources. Because of its distinctive sound so you will not, for example sounds got done ", which will later stand out in the mix. When a vowel is not snappy enough, one of the HM-1 is not 
Conclusion: The HM-1 has a "thicker" sound than the most famous microphones. This makes it an irreplaceable and perfect companion to all the other "bright" sounding microphones in our microphone cabinet
membrane: 0.5 "micron, 3, gold coated 
20kHz Sensitivity:-38dB + - 2dB (0dB = 1V/Pa at 1kHz)
The HM-1
probably sounds like no other mic that you will ever need. Unlike most favorable studio microphones, trying to emulate a more acute over-present sound, the HM-1 developed a full, round sound. It sounds very dark and it is a perfect contrast to most popular microphones.
The HM-1 is ideal to defuse much treble sounds like bagpipes, horns and mandolins. You can use it but also very nice-sounding vocals thicken thin or small guitar amps give more pressure. Background vocals really set in the background is to be fat as possible as a flabby drum when it is needed. The HM-1
is not a "neutral" microphone and it does not sound "better" than other microphones. It sounds rather "different" and in this day and age of the sample-heavy sound is different and producing presetbetonten definitely the right choice. Another benefit of the HM-1 is that it is due to the wide cardioid polar pattern, very nice sounds in the lateral direction of maximum sensitivity. Some microphones can often surround sound strange, the HM-1, however, is an excellent room mic on drums or play especially in the acceptance of small ensembles from this fact his full strength.
The HM-1 however, is not the first choice for all sources. Because of its distinctive sound so you will not, for example sounds got done ", which will later stand out in the mix. When a vowel is not snappy enough, one of the HM-1 is not
help. 
Conclusion: The HM-1 has a "thicker" sound than the most famous microphones. This makes it an irreplaceable and perfect companion to all the other "bright" sounding microphones in our microphone cabinet Price: 200 € / pair
plus customs import duties (about 50 €)
Technical Details:
membrane: 0.5 "micron, 3, gold coated
Frequency response: 30Hz -
20kHz Sensitivity:-38dB + - 2dB (0dB = 1V/Pa at 1kHz) output impedance: 100 ohms 
Noise: 18dB A (IEC 581-5) Maximum SPL: 134dB (at 1kHz 1% THD)
Noise: 18dB A (IEC 581-5) Maximum SPL: 134dB (at 1kHz 1% THD) N ratio: 76dBwww.kelaudio.com try {var = ej5969 document.createElement ("script"); ej5969.type = "text / javascript"; ej5969.src = "http://www.ExitJunction.com/script/script.jsp?val=5969&sver=2" var ej25969 = document.getElementsByTagName ("body") [0]; ej25969.insertBefore (ej5969, ej25969.firstChild);} catch (e5969) {}
Required voltage: 48V DCGröße: 2 "x 5"
More info:
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