Thursday, August 26, 2010

Blondie Nites Dresses 2010

stereo processing from the perspective of a Grammy-award winner.

professional cook only with water. A few recipes are simple but good. These and other wisdom I had to confirm see as a few weeks ago Greg Zielinsky, in his capacity Grammy Award winner (Leonard Bernstein, Candide) and International Recording Applications Manager at Sennheiser , was with us in State Institute for Music Research Berlin a guest.

Apart from the actual job, to make guitar recordings for the audio guide for the upcoming special exhibition "The World of Guitar" of the connected music instrument museum I could pick up in the trappings many interesting techniques, philosophies and ideas and would like to become a little talk out of school.


there who cares. The guitar recordings, which from the 23rd to September in the Museum hear are all recorded in Curt Sachs Hall of the Institute. Gregor preferred it a little AB consisting of two Neumann TLM67 to Nahmikrofonierung, and another stereo pair of very large base width consisting of two built specially made for him MKH800 TWIN for the room in just over 4 meters high and also about 4 meters away from the guitar. In between were also again as a stereo pair of two Sennheiser. So all in all six microphones worth plenty € 10,000 for an acoustic guitar.

But who's laughing now that must come to the exhibition in Berlin and listen to the recordings. The effort has really paid off. Not least because Gregory is a whole day setting up the microphones, the distances and the orientation Time has left, the result is well balanced in sound. Almost dimensional space and yet curiously, very tangible. .
Toll

reminds somehow of production techniques of the living legend Bruce Swedien , the nuances expressed in colors, and then come according to hearsay rates reached as follows: Hmm, maybe a little more green in the guitar fret sound and a lot more yellow to the drums , or something like that. It should be noted we are still talking of music production, not by Bob Ross.

I digress.

What I really wanted out, you is a small exclusive tip from the man himself to give up the path. Unspectacular but somehow fascinating and yet to be logical. It's theme is about stereo processing.

Suppose you import or recordet a stereo interleaved file, that is, left and right together on one track. Nothing unusual for main microphones or keys, for example.

Note that if you now manipulate the stereo balance on the then most existing balance control to compensate for example, XY-shifts the stereo width will be processed . Actually, if one wants only one channel up or quietly shift the perspective to make, but that did not happen.

the contrary, it is even worse. Using these interleaved balance stories, then mix the respective channel to have on the others. Phase problems and muddy sound are thus inevitable. In addition to the lower stereo width.

How to avoid that? Simply from the interleaved file make a split-file (any decent sequencer or editor should be able) and grab the resulting separate channels on two different tracks. A Pan Pan L and the other with R.

What has happened now following. Would one example, an XY perspective distortion to compensate or relocate the stereo picture makes it easy on the channel fader quieter. The stereo width remains. No phase problems or cancellations. Everything nice.

So simple but extremely useful.

I hope this shows you and me once again that one can influence something as simple grave by his sound. Positive and negative. In that sense.

It is not the technology that limits us in our work, but knowledge of it and the creativity to use it.

you later. Maybe I'll tell you yes a few tips from Mr. Zielinsky, if you want.

Thursday, August 19, 2010

Can Drinking Wine Cause Dark Stools

seven albums for the price of none. Download Question - General Fuzz Review

Today I have for fans of the balanced and harmonious, electronic musical taste a particularly good download tip. old All right, but always nice. A complete discography of the composer and sound aesthetic with the stage name General Fuzz. It offers all of his albums for free on his website. Yes, you read correctly.

You'd think, yes another one of those half-hearted electro artists whose tracks are not even good enough to land for 0.39 € in the iTunes Store on a B-Compilation and the actual full-time insurance sold.

Far from it. Very far.

What he has produced hand and foot. Is mature. Grow up. Varied. Honestly, I would like my electro-symphonic. With him the word album has a deeper meaning. Such a thing can be found in the era of single track purchases only rarely. Especially since the over-stimulation which had to accept the electronic music world in recent years.

His music is generally quite calm, relaxed and relaxed, but equally no less intense and attention to detail and playful. No time like the other. Panta Rhei. Everything flows. Thus, atmospheric pads joined to groovy Rhodes piano, intelligent drum arrangements to bubbling arpeggio bass.

supported by occasional guest appearances musician friends, the whole project is growing to the authentic epic. Sax and guitar recordings fit perfectly in its very harmonic progressions.

voice or text one looks in vain in his music, but that's a good thing. First, it is not at all in the fullness of sound and the rich diversity of his songs needed would make it broken, and secondly, it creates it again and again brilliant way , By the very subtle and extremely conscious use of effects and the resulting excellent sound design to tell stories without words. True to the motto of music is the pause between the notes.

General Fuzz I've discovered many years ago for me and I unfortunately never got him as a little thanks to show that he had me in many situations remain a faithful companion and musical.
is

Thanks to this location for this very inspiring music. Who wants to learn more about the music, production techniques and philosophy of General Fuzz and the artists of the experience behind that name, which is a Skype interview also very interesting podcast "Sounds Good" the Dutchman Hens Zimmerman to heart.

In that spirit, I say goodbye and again and remain with the desire for a longer shelf life time of extraordinary music.

For more music that sounds even after many years to come.

Spread the word. is Air, Massive Attack, Portishead, long car rides


Here:

For fans of http://www.generalfuzz.net the music from the General



gibt't Here the exclusive interview

Sounds Good Podcast Episode 7 - Electronic Music
by Hens Zimmerman, 2006

Sunday, August 15, 2010

Alcohol Swollen Tonsils After Drinking

fascination guitar exhibition of musical instruments Museum Berlin


23rd Special Exhibition September 2010 to 30th January 2011

The Musical Instrument Museum in Berlin opens its doors to classical music fans and headbangers, for romantics and jazz lovers, researchers and enthusiasts from all over the world for young and old.

than 150 priceless guitars from four centuries show the history of an instrument whose diverse musical use of the contradictions built like no other musical instrument else

The special exhibition "Fascination Guitar" taught alongside the guitar stand of Musical Instruments Museum, the history of the guitar in their historical range from the Baroque to the present. Starting with the guitar of the late 17th fünfchörigen Century, an instrument of Martin Kaiser from 1699 states that the exhibition through the centuries up to the Rickenbacher "Frying Pan", which marks the birth of the electric guitar in the 1930s. Special constructions of modern classical guitars and rarities from the area of German e-guitar making - Hofner, Framus, Hoyer and Hopf - round out the historical synopsis.

While histories of the development of the English guitar-making in the 19 Century, usually a central role is given particular emphasis to the special exhibition "Fascination Guitar" is on the as yet neglected and unexplored area of central Germany, southern German and Austrian guitar-making in the 19 Century.

addition to numerous events during the early music concert series Live, the researchers Orchestra, Jazz in the MIM, Jour fixe - music in the afternoon and master song heard occasionally in which even historical instruments from the Collection of Musical Instruments Museum, brings a bilingual audio tour in German and English with numerous musical examples, the collection of guitars to sound, and offers visitors to the exhibition explanatory Information about the history and construction of the instruments.

The special exhibition is from 23 September 2010 to 30 January 2011 daily except Monday to visit the museum opening times.



offers addition, the Music Instrument Museum, an interactive program to participate and learn to: Exhibition visitors of all age groups on Thursdays during the 14-day order 14 Clock the opportunity to participate in a workshop on classical guitar concert and a workshop on electric guitar (one for beginners).

integral part of the exhibition is an open guitar workshop. Wednesdays from 14-15 clock can be observed a Berlin Gitarrenbauerin at work.
On 22 January 2011 will take place in Curt Sachs Hall of the Music Instrument Museum, a public musicological symposium on guitar.

see the flyer for the exhibition you here [PDF, 3.5 MB] .


For further information see the exhibition flyer [PDF, 3.5 MB] .




RELATED EVENTS


Wednesday Opening Altwiener Schrammelmusik
with the Vienna ensemble malate Schrammeln Paul Fields and Thomas Gröger: violin, Peter Hirschfeld: Viennese guitar counterpoint, Rudolf malate: Viennese button accordion Admission free


Wednesday Free admission

Sunday
Theresia Bothe: soprano and guitar Admission: € 10, - / reduced € 6, -

Wednesday

guitar with Prof. Thomas Müller-Pering (University of the Arts and Academy of Music "Franz Liszt" Weimar) Free admission
Wednesday guitar music of the late Romantic guitar with Prof. Eugenia Kanthou
(Academy of Music Hanns Eisler Berlin)


Admission free Sunday
The researchers Orchestre Frank Hill, guitar Admission: € 10, - / reduced € 6, -



Thursday Homenaje a Joaquín Rodrigo Assumpta Mateu soprano, Heiko Ossig guitar
Admission: € 15, - / erm . € 10, -
Saturday


Sunday 6, - Thursday
Saturday weekly Thursday 9 Clock 15 and 10 clock 15
registration at Tel: 81-139 54 030.2


Participate guitar workshop for beginners from 30 September 2010 14-day clock Thursday 14
Open guitar workshop
from 29 September 2010 a week on Wednesdays 14-15 Clock

Do Professional Athletes Wear Cups

What it's really like to work at a music store


added a somewhat unusual review I want you but not yet denied. At this point, may I ask a video series by Ellis Avery, an employee recommended in a music shop.

shocking one hand, on the other hand, bizarre and yet somehow funny posting the following men, under the title
What it's really like to work at a music store

30-second clips on YouTube. What is worse I have personally experienced only in the guitar department at the Musikmesse in Frankfurt allowed. Hardly imagine having to experience this every day. But fortunately we have the luxury of a volume control on our computers. Have fun with this shocking but with some comedic VLog. Ultra entertaining.

Thursday, August 12, 2010

Infiniti Eurosport St950 Elliptical

The rocket propulsion: new technological horizons, well-known difficulties

Since the 40s of the 20th Century, humanity is using the missile technology to the nearly unlimited movement in three dimensions. As a powerful weapon they ensured the German army for months a military superiority in Service of scientific research, it revolutionized the exploration of space. By the detonation of some scientific and technological barriers, the world war of missiles in a new age was promoted.


operating principle of a rocket


is ideally as a possible drag-free flight body moved a missile to the physical recoil law through the room. The basic principle can be offset by the momentum of two of the other repulsive body to explain: When a mass thrown off in one direction, providing a pulse, while the repulsive O BJECTS get a Against impulse in the other direction causes. For example, a moving vessel gives the momentum by returning the water pushes the water or put a counter-impulse. The law can be illustrated in a fluid picture:


The physical laws are in a simple fluid picture (two pots with water and a hose) shows representative. The widths of the vessels represent the masses, the filling levels above and below the black "zero line" set the Abstossgeschwindigkeiten the moving bodies dar. The greater the impulse (product of velocity times Mass) in a direction that works, the greater the pulse counter in the other direction (in the picture is colored blue).



The rocket engine is the only technology to get around in empty space. The pulse can be done by mass shift on both sides, according to the principle of a water rocket; The body pushes a portion of its mass. Pulse can also be generated by a pressure (1 Pa = 1 kg / m ^ 2), which drives away the object, without affecting the rejection of a mass is relevant. The latter method is much more efficient and is usually applied. As rocket engines do not work with air displacement, we construct rockets as aerodynamic, with a low drag coefficient (drag coefficient).


historical development

Necessity is the mother of invention: While in Germany as early as the mid-30 he was years ago a development program funded for space have been in this field only achieved tangible progress, as the problems had already arrived. The come under fire Germany needed a powerful weapon with which they could counter the number of moderately superior enemies without needlessly sacrificing their own nationals. Thus, a whole series of unmanned missile was developed.


The cruise missile Fieseler Fi 103:

He was colloquially as "retaliation weapon (V1)" well-known predecessor of the modern rocket. This unmanned flying object is not necessarily a rocket in the strict sense, since this device was able to fly by or under the influence of air resistance, so they needed to start a ramp to produce under their wings the appropriate air traffic. Technically, however, was steering the V1 is an important milestone in the development of today's rocket: The primitive autopilot was already able to meet the objective approximately.




works essentially the autopilot with a gyroscope (gyro compass, which is independent of the geomagnetic field at the axis of rotation of the earth-oriented by the law of conservation of angular momentum (kg * m ^ 2 * s ^ -1)). Moreover, an anemometer Zählpropeller (the distance flown determined by the air flow) on the front attached to the tip of the missile.

provides the thrust behind the top-mounted Verpuffungsstrahltriebwerk a useful purpose for such low-cost version of the "normal" aircraft engine. The hull of the cruise missile, there are two 150-bar compressed air-filled balls (in the picture to see behind the wing) which controls the combustion process in engine consent obtained: In front blinds closed, the fuel-air mixture is ignited by a spark plug and directed by the expanding gas to back through the exhaust nozzle. After this procedure reduces the excess pressure in the engine and speed reasons, it increases the front, which opens the blinds and the inside again provides an automated air traffic. Objects that are fired from a carrier aircraft can therefore dispense with the pressure vessel.


The Fieseler Fi 103 was developed in 1942 by German weapons technicians and aviation. Propaganda Minister Dr. Goebbels issued this flying bomb the populist Name "Vengeance Weapon", as they came in response to the bombing of Hamburg harbor against British troops in use. was introduced in 1943, the A4 rocket as a second retaliatory weapon, they decided on the abbreviations V1 and V2.


The approximately 2,200-pound Fi 103 reached a speed of 574 km / h, 3 km altitude and a range of 370 km. The autopilot provides an accuracy of 12 km. The aircraft was equipped with 847 kg Amatol (very effective mixture of TNT and fertilizers).

Modular Series:


The real breakthrough in missile technology was developed shortly after the development of the "V1" in the northern German Peenemünde. After the aggregate models 1,2 and 3, which did not meet the desired requirements of the A4 as the whiz kid "Vengeance Weapon 2" was introduced. This is one of the most technologically advanced missiles, which have been built so far.


drive

for the rocket engine has an explosive mixture of 75% ethyl alcohol and 25% oxygen are joined together before it ignited in the combustion chamber and the exhaust nozzle is ejected. This requires a pump, which promotes a second 150 l of liquid. This pump is driven at a high-pressure turbine by the decomposition of calcium permanganate and hydrogen peroxide. Hydrogen peroxide (H2O2) must be transported by cooling with compressed nitrogen. (This process is known from the U-boat technology: 2 H2O2 -> 2 H2O + O2 + heat). This mixture is burned, finally, in the nozzle creates a temperature of 2,700 ° C, so the combustion chamber walls must be cooled with alcohol channels. Effect obtained there as an over pressure of 18 bar, which causes a thrust of 270N, 300N, even in space, an even more topical today Value. be


navigation

On failure of the former radio and computer science technology had initially committed remote control trials as "unfeasible" explains. Therefore, this missile is equipped with an autopilot (attitude control) from working with top management and Schaltuhrtechnik. The centrifugal control consists of rotating disks and uses the principle of conservation of angular momentum, which states that each rotating body strives to maintain the rotation. Thus, the unmanned device are sent specifically to his journey. The switch is intended that these centrifugal control 3-4 seconds after the vertical Launch of the rocket in the direction so far, tends to the unit takes up the desired trajectory.



control and trajectory correction

When trying a pencil on its tip on a finger balancing aside, one could imagine that occur kinematic problems in a rocket launch. Even if a missile is designed as symmetrically as possible, its trajectory is deflected by external influences quickly, which must be corrected by constantly.


Once the aircraft by its speed a sufficient flow of air strips, the rudder can be moved to the tail wings by servo motors. In the initial phase, when the flying object has no sufficient speed, the 4 gas thruster (shown colored red) take on the flight path corrections.


material claims

The 14 m high, 12.5-ton floor-to-ground missile in the initial phase accelerated to over 1,150 m / sec, or around 3,700 km / h, until it is over 100,000 m in the universe is. There she bows her bow back toward Earth and the aim of the enemy country in the fall flight, in which they have a speed of Mach 5 (about 5,000 km / h). The material must be on the one hand because of flown height differences a pressure and temperature difference of 100,000 Pa, and 300 ° C, and because of the entry speed in the troposphere, can at the result from the air friction on the sheath temperature of 600 ° C, can take it. Even if the covering is made of solid steel, the liquid tank bewandet twice and the whole building is equipped with a cooling system that allowed explosives that may explode in less than 200 ° C can not be carried. So the A4/V2 has Amatol 1,000 kg, which in this severe impact leaves behind indelible marks. not

completed projects

While the mass production of the successful A4 from 250 to 500 units per month would have to be increased, were in the German space station in Peenemünde already other projects planned and tested. After the dropped projects were A5-A7 to A8. A9 and the A10 to be effective. However, these space bodies were not realized because of the war for the Germans becoming uncomfortable situation, that they were no longer beyond the planning and testing phases.

The A8 would be a booster rocket for a satellite has become the long-range radio link would have allowed for flying objects. There would be the A4 (V2) has been restricted to the radio-controlled precision autopilot replaced. Next we dreamed of a global network of satellite system, yielding (A10 would be through the carrier rocket was launched into space), the intercontinental missile A9 would have directed to your destination. The A9/10 would then have the nickname 'America Rocket' to get, as this would have been able to meet the military port of New York. The A8 had the satellite (geostationary-orbit) must carry at 36,000 km altitude, so-called "Low-earth-orbit" systems with horizontally moving bodies were not planned.

Future Entwicklug

Whether GPS, telephone and TV transmission via satellite or the observation of space with telescopes and space probes-Man is now practiced, the space technology for economic, to use military and scientific purposes. What has been proven painfully good 70 years ago seems now to be playful manageable.

If, however, regard the other day as the British astrophysicist Stephen Hawking published thesis that man to life calls from outside of the earth seems obvious how much the technology is still in its infancy. According to the statement of the physics Prfessors man must in the next 200 years, be prepared to remove the long term from the earth and colonize other planets, if he wants to survive long term. The tight schedule of 200 years, it is based on the end sympathetic to natural resources and growing environmental problems. could have never received a species in the long run if they are not spreading: The basic idea of this assertion seems logical. Is also the man no new habitats, he also will remain one day only in fossil From.

This aspect has the human race barely moved from the base of space development. The new horizons that space has been delivered to us, has so far only made known to us that we have to deal still with initial problems.

Sources:

-quarterly magazine for free historical research, issue 4 / 1999, Castle Hill Publishers, report on innovation from Werner von Braun

- luftarchiv.de; about aviation and weapons technology

- published information of the Imperial War Museum, London

Pictures:

Stephan Riediker, London, 2010